True Neutral A true neutral character does what seems to be a good idea. He doesn't feel strongly one way or the other when it comes to good vs. evil or law vs. chaos. Most true neutral characters exhibit a lack of conviction or bias rather than a commitment to neutrality. Such a character thinks of good as better than evil after all, he would rather have good neighbors and rulers than evil ones. Still, he's not personally committed to upholding good in any abstract or universal way. Some true neutral characters, on the other hand, commit themselves philosophically to neutrality. They see good, evil, law, and chaos as prejudices and dangerous extremes. They advocate the middle way of neutrality as the best, most balanced road in the long run. True neutral is the best alignment you can be because it means you act naturally, without prejudice or compulsion. However, true neutral can be a dangerous alignment when it represents apathy, indifference, and a lack of conviction.
Elves are known for their poetry, song, and magical arts, but when danger threatens they show great skill with weapons and strategy. Elves can live to be over 700 years old and, by human standards, are slow to make friends and enemies, and even slower to forget them. Elves are slim and stand 4.5 to 5.5 feet tall. They have no facial or body hair, prefer comfortable clothes, and possess unearthly grace. Many others races find them hauntingly beautiful.
Wizards are arcane spellcasters who depend on intensive study to create their magic. To wizards, magic is not a talent but a difficult, rewarding art. When they are prepared for battle, wizards can use their spells to devastating effect. When caught by surprise, they are vulnerable. The wizard's strength is her spells, everything else is secondary. She learns new spells as she experiments and grows in experience, and she can also learn them from other wizards. In addition, over time a wizard learns to manipulate her spells so they go farther, work better, or are improved in some other way. A wizard can call a familiar- a small, magical, animal companion that serves her. With a high Intelligence, wizards are capable of casting very high levels of spells.
Find out What Kind of Dungeons and Dragons Character Would You Be?, courtesy of Easydamus (e-mail)
P.S. According to the details of the survey, I could just as easily have been chaotic neutral.
This is the chapter I remember having a lot of trouble with when it came to writing up the scene, as I'd imagined the whole thing from an omniscient external perspective, then had to decide whose viewpoint I could possibly use to recount it from: none of the characters are actually on the spot the whole way through. It's a similar problem to the one I would have with my Buquet-story several years later, but in this case I decided to show Erik and Cris eavesdropping through the omnipresent surveillance system rather than telling the story from the viewpoint of any of the actual participants; however, this then raised the question of how I was going to format Erik's little interjections, especially given the extremely limited options accepted by fanfiction.net (bold, italic and underline, basically)!
I think it works...
Chapter 12: A Disinterested Gift
Cris clutched at Erik’s arm, terrified eyes glimpsed through the pale silk of her hair as if through a lying veil of innocence, and he shook her off. She had never been a beauty; with her face blotched and red, she was more ordinary than ever. Just another silly, shallow-minded child, he told himself, trying to staunch the howling tide of pain that swept over him whenever he saw her look at the boy. Whenever he saw her pouring out that sweetness, that compassion, on youthful limbs and a foolish nose... why, it was long enough to provide noses for the both of them, Erik thought savagely. Perhaps he should propose it to her. It was ironic, after all, that one of her lovers should be so gifted and the other so deprived in that department...
“Please—” Desperate hands grasped at him again. “Erik, please — what’s happening to him? Oh, what have you done?”
“You’ll find it’s a question of what you have done,” he flung back, and saw her flinch. There was bitter satisfaction in it, though she still did not understand. But she would. Oh, she would see.( Read more... )
There simply is no time in the story during which Christine resumes friendly relations with the Phantom after discovering the truth about him -- in the musical, she expresses fear of him on at least three separate subsequent occasions and never goes back until she is kidnapped in "Don Juan", and in the novel she goes back reluctantly and in a state of increasing terror and revulsion, until she feels compelled to confess the whole to Raoul because she is afraid of being forced back underground forever. Christine in canon doesn't ever co-exist happily with the Phantom once she realises that he is a creepy human and not an angelic voice; she may pity him, but she doesn't return to him on terms of friendly acquaintance, let alone affection.
I shouldn't get so annoyed at this fictional setting, given that E/C stories are inherently ignoring canon in principle, but for some reason I do...